This most economic of documents, was produced as a component of the project »Lender of Last Resort«. It was only available in the museum - alongside the installation. The texts themselves take the form of a collection of fables, reflecting upon the more timeless qualities of art and the business cycle. The fable, being both specific and universal finds perennial application. In a very basic way these texts act on the artwork in question by encouraging a more metaphorical reading. Normal considerations regarding distribution etc. gave way to the importance of a working text in relation to the work.

CONTENTS: a collection of 9 fables written collaboratively by Jan Verwoert and Michael Stevenson as a component of the project »Lender of Last Resort«

DESCRIPTION: 180mm x 112mm, 20 pages (unpaginated), black and white, self covered (English)

DESIGN: Michael Stevenson

published by the artist, 2008 (available only from the artist)

Celebration at Persepolis

The book owes its peculiar design specifications, title etc. to an earlier publication: after the party at Persepolis (see the project description for more detail) an official commemorative publication was produced. This original book was sent as a gift to all official guests in attendance at the celebration and, was also in wider distribution. My book is – in terms of cover and dust jacket – a replica of the original (but at 50% scale) - a ‘miniature’ if you like. A number of Magnum photographers were officially invited to Iran to document the events of 1971. Part of my project then involved the re-assembly of some of these Magnum images.

»Collapse« - a conversation between Michael Stevenson & Rüdiger Ihle
»The Party«, Martin Clark (essay)
»Monarchy & the 38th Basel Art Fair«, Michael Stevenson (essay)

DESCRIPTION: 160mm x 125mm, 64 pages, black and white, hard cover with full colour dust jacket (English)

DESIGN: Christoph Keller

A Christoph Keller Editions Book
Published jointly by Arnolfini, Bristol and JRP/Ringier Kunstverlag, Zürich, 2008

ISBN: 978-3-905829-48-8

c/o The Central Bank of Guatemala

The title of this publication was taken from material I found in the Lerner archive at UC Berkeley. Certain letters Lerner penned during 1953 used ‘c/o The Central Bank of Guatemala’ as his temporary address (see the project description). The irregular border motifs used on the document’s cover are those clipped from a 1 Quetzal bank note (Guatemalan currency), a gift to me from my 2006 visit to the bank.

»The Moniac: Bill Phillip’s Machine«, Elvidio Aldana (essay)
»The search for the Fountain of Prosperity«, Michael Stevenson (essay)
»The Moniac: Metaphor for a Tropical Economy«, Rosina Cazali (essay)

DESCRIPTION: 254mm x 177mm, 24 pages (unpaginated), black and white, self covered (English)

DESIGN: Rüdiger Schlömer

published by CCA Wattis Institute for Contemporary Art, 2006 (available only from the Wattis)

Art of the Eighties and Seventies

The particular form of this book is derivative: a facsimile version of the original Panza collection volume (see the project description for details). In the 1980s MoCA acquired the lions share of Panza’s collection as tax issues prohibited him from keeping the works intact. MoCA began a publication series, each covering a different era of the Panza collection, this was reflected in the choice of titles: ‘Art of the Fifties, Sixties and Seventies’, ‘Art of the Sixties and Seventies’, etc. They were published in at least 3 different languages and were very well distributed. I knew the book from years ago as a battered copy in an academic library in Melbourne. My publication is identical to the original in terms of scale, typography and general design layouts and therefore, via these tropes I guess it is possible to say the Panza collection turns again to the Museum Abteiberg.

Publication is by now the only form in which my Abteiberg project continues to exist, so this book holds a particular place. Contemplating this end result I wanted to bring it beyond the more traditional role of documentation. For example, if this book is handled in a more ‘archaeological’ manner - dust jacket removed - black linen cover and text down spine exposed - it is possible to understand its form in relation to the MoCA original (which unwittingly appears in the documentation inside my volume). By excavating my book the reader restages some of the processes and methodology central to this project.

»Meeting Johannes Cladders & Hans Hollein« - conversation with Susanne Titz & Chantal Jacobi (interview)
»The aircraft carrier, the paddy field, the late modern institution«, David Craig (essay)

DESCRIPTION: 317mm x 250mm, 128 pages, black and white with colour section, hard covered with dust jacket (English/German)

DESIGN: Christoph Keller

Published by Revolver – Archiv für Aktuelle Kunst, Frankfurt am Main, 2006

ISBN: 3-86588-198-X

This is the Trekka

This publication was thought of as a compendium of texts and design material, bound together under one cover. Reflecting this diversity are 3 separate paper stocks and design formats that were all derived from archival material found during the research of the project. (project description)

»Suitcase Full of Sausage Casings« - Boris Kremer in conversation with Todd Niall (interview)
»(Post-) Fordism, (Neo-) Trekkaism«, David Craig (essay)
»The Importance of the Arts Today«, W. B. Sutch (speech transcript)
»The Lost Apocalypse«, Alan Rodgers-Smith (essay)
»Apocalypse 1989: a report for the commission for the future«, Peter Wilkins (report)

DESCRIPTION: 224mm x 165mm, black and white with colour section, soft covered, 112 pages (English)

DESIGN: Christoph Keller

Published jointly by Creative New Zealand and Revolver – Archiv für aktuelle Kunst, 2003

ISBN (Europe, USA): 3-936919-00-3
ISBN (Asia, Australasia): 0-477-065414-4